12. What I’ve learnt

The short story of vengeful Felicity is now complete and what a piece of work she turned out to be. In the previous blogs I tried a variety of techniques gleaned from creative writing books. Now I can conclude how useful, or not, they were to me over the course of writing the story.


Theory says everything should be related to proving the premise, else it shouldn’t be there. Well, I found the premise ‘Murderous revenge leads to peace of mind’. The first part was derived easily from the inciting incident where Felicity goes way over the top in Continue reading “12. What I’ve learnt”

10. Say it with feeling

I was most of the way through the first draft, and aaaaaarrgh! What I had written was  stilted, mechanical and just damn uninteresting – plus it had taken me ages. Instead of going down the pub and crying into a pint or three, I chucked it away and before starting again; looked for what was wrong.

A book by Nancy Kress says we must learn to be multiple things i.e. characterwriter, and reader. It says the first step is to forget about being a writer and become the character. Think, FEEL, see and smell as they do. Next, become a writer but a non-critical one who just acts as the conduit to get the character’s perceptions, speech, and actions down on paper. Continue reading “10. Say it with feeling”